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Adobe premiere elements 1112/7/2023 The interface in Adobe Premiere Elements is very similar to that in Adobe Premiere and follows a standard video editing suite layout. It's also where you can enter contests with your videos and see what other people are making with Elements. If you've got a lot of Go-Pro footage, Elements will even automatically stabilize footage although it's only able to help fix minor shakes, not huge jolts.įinally, Elements Live brings together the Elements community and is Adobe's center for help, tips, tutorials and advice on how to get the most out of Elements. If you want to do things yourself but aren't sure how, Guided Edits take you through the editing process instead. You simply pick the moments that are most important to you and Elements does the rest. The Video Story feature does the hard work for you, taking your footage and adding themes and transitions automatically. There are some cool narrative themes which make turning weddings and holidays into stories much slicker too. Editing has generally been improved with more helpful hints on retouching videos with some new flashy titles and effects. Alternatively, you can sync Elements videos with your mobile, so you can access them from anywhere. Most recently, Adobe Premiere Elements has been improved with enhanced Mobile Video Syncing so that you can transfer space-hogging videos directly from your mobile device, into Elements for editing. Premiere elements includes Content Aware fills for refining the edges of straightened photos, and Red Eye removal. It also includes Greeting Card Printing for Japanese, US and Canadian users. The fixed, default behaviour is thoughtfully designed but it's not suitable for every occasion.Adobe Premiere Elements features tons of cool features such as a Content-Aware tool to retouch and move objects seamlessly, Auto Smart Tone, and an enhanced Quick Edit mode for frames, textures, and effects. Our biggest disappointment is that there are still no proper ripple editing options. While various other editors automatically apply a dissolve transition when two clips are overlapped, doing this here chops the overlapped clip in half, which has no practical use that we can think of. Holding down Alt and moving the mouse scroll wheel performs this task but it's hopelessly unwieldy, and the on-screen zoom control is a little fiddly too. Timeline navigation is now extremely responsive, but we'd like a better system for zooming in and out. Some of the effects can be fiddly to use, with parameters arranged as a long list of sliders and useful values bunched in the middle of the range. The Project Assets window can be pinned so it stays open, but it needlessly obscures the preview window when the Adjustments panel is open too. Effect settings appear in a panel to the right of the preview, and an extended set of colour-correction filters are permanently plumbed in and ready to use. Cryptic icons and tabbed panels are out in favour of direct access to key functions such as effects and transitions. The interface has had a thorough redesign and looks much cleaner and more inviting than before. There's no more frame-rate mishandling or sluggish controls, and preview performance is superb, with smooth playback of 10 AVCHD streams in our tests. Version 11 addresses these concerns head on. As Adobe catered the editor increasingly towards casual users, it seemed to be losing sight of what this editor does best. However, Premiere Elements has been held back by a clunky, unresponsive interface and poor attention to detail, including dropped and repeated frames in previews and exports. Sophisticated multi-layered animations are what this editor does best
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